The set of the sails ...

(Dedicated to D.M. and her loved ones)

Somebody's baby was buried to-day--
The empty white hearse from the grave rumbled back,
And the morning somehow seemed less smiling and gay
As I paused on the walk while it crossed on its way,
And a shadow seemed drawn o'er the sun's golden track.

Somebody's baby was laid out to rest,
White as a snowdrop, and fair to behold,
And the soft little hands were crossed over the breast,
And those hands and the lips and the eyelids were pressed
With kisses as hot as the eyelids were cold.

Somebody saw it go out of her sight,
Under the coffin lid--out through the door;
Somebody finds only darkness and blight
All through the glory of summer-sun light;
Somebody's baby will waken no more.

Somebody's sorrow is making me weep:
I know not her name, but I echo her cry,
For the dearly bought baby she longed so to keep,
The baby that rode to its long-lasting sleep
In the little white hearse that went rumbling by.

I know not her name, but her sorrow I know;
While I paused on the crossing I lived it once more,
And back to my heart surged that river of woe
That but in the breast of a mother can flow;
For the little white hearse has been, too, at my door.

It would be nice
In any case,
To someday meet you
Face to face
Walking down
The road to hell...
As I come up
Feeling swell.

Time is endless in thy hands, my lord.
There is none to count thy minutes.
Days and nights pass and ages bloom and fade like flowers.
Thou knowest how to wait.
Thy centuries follow each other perfecting a small wild flower.
We have no time to lose,
and having no time we must scramble for a chance.
We are too poor to be late.
And thus it is that time goes by
while I give it to every querulous man who claims it,
and thine altar is empty of all offerings to the last.

At the end of the day I hasten in fear lest thy gate be shut;
but I find that yet there is time.

        --> Video version

The name of the author is the first to go

followed obediently by the title, the plot,

the heartbreaking conclusion, the entire novel

which suddenly becomes one you have never read,

never even heard of,

as if, one by one, the memories you used to harbor

decided to retire to the southern hemisphere of the brain,

to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye

and watched the quadratic equation pack its bag,

and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,

the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember

it is not poised on the tip of your tongue,

not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river

whose name begins with an L as far as you can recall,

well on your own way to oblivion where you will join those

who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night

to look up the date of a famous battle in a book on war.

No wonder the moon in the window seems to have drifted

out of a love poem that you used to know by heart.

Give me women, wine, and snuff
    Untill I cry out "hold, enough!"
    You may do so sans objection
    Till the day of resurrection:
    For, bless my beard, they aye shall be
    My beloved Trinity.

WE wear the mask that grins and lies,
    It hides our cheeks and shades our eyes,—
    This debt we pay to human guile;
    With torn and bleeding hearts we smile,
    And mouth with myriad subtleties.

    Why should the world be over-wise,
    In counting all our tears and sighs?
    Nay, let them only see us, while
            We wear the mask.

    We smile, but, O great Christ, our cries
    To thee from tortured souls arise.
    We sing, but oh the clay is vile
    Beneath our feet, and long the mile;
    But let the world dream otherwise,
            We wear the mask!

FROM our youth to our age
    We have passed each stage
           In old immemorial order,
    From primitive days
    Through flowery ways
           With love like a hedge as their border.
    Ah, youth was a kingdom of joy,
           And we were the king and the queen,
                  When I was a year
                  Short of thirty, my dear,
           And you were just nearing nineteen.

    But dark follows light
    And day follows night
           As the old planet circles the sun;
    And nature still traces
    Her score on our faces
           And tallies the years as they run.
    Have they chilled the old warmth in your heart?
           I swear that they have not in mine,
                  Though I am a year
                  Short of sixty, my dear,
           And you are—well, say thirty-nine.

I hear America singing, the varied carols I hear,
    Those of mechanics, each one singing his as it should be blithe
              and strong,
    The carpenter singing his as he measures his plank or beam,
    The mason singing his as he makes ready for work, or leaves off
              work,
    The boatman singing what belongs to him in his boat, the deck-
              hand singing on the steamboat deck,
    The shoemaker singing as he sits on his bench, the hatter singing
              as he stands,
    The woodcutter's song, the ploughboy's on his way in the morn-
              ing, or at noon intermission or at sundown,
    The delicious singing of the mother, or of the young wife at work,
              or of the girl sewing or washing,
    Each singing what belongs to him or her and to none else,
    The day what belongs to the day—at night the party of young
              fellows, robust, friendly,
    Singing with open mouths their strong melodious songs.

It doesn't interest me what you do for a living.
I want to know what you ache for,
And if you dare to dream of meeting
Your heart's longing.

It doesn't interest me how old you are.
I want to know if you will risk looking like a fool
For love, for your dream,
For the adventure of being alive.

It doesn't interest me what planets are squaring your moon.
I want to know if you have touched the center of your own sorrow,
If you have been opened by life's betrayals,
Or have become shriveled and closed from fear of further pain.

I want to know if you can sit with pain,
Mine or your own,
Without moving
To hide it or fade it or fix it.

I want to know if you can be with joy,
Mine or your own,
If you can dance with wildness
and let the ecstasy fill you to the tips of your fingers and toes
Without cautioning us to be careful, be realistic,
or to remember the limitations of being human.

It doesn't interest me if the story you are telling me is true.
I want to know if you can disappoint another to be true to yourself,
If you can bear the accusation of betrayal and not betray your own soul.
I want to know if you can be faithless and therefore be trustworthy.

I want to know if you can see beauty
Even when it is not pretty every day,
And if you can source your life
From its presence.

I want to know if you can live with failure,
Yours and mine,
And still stand on the edge of a lake and shout to the silver of the full moon,
"Yes!"

It doesn't interest me to know where you live or how much money you have.
I want to know if you can get up after the night of grief and despair,
Weary and bruised to the bone,
And do what needs to be done for the children.

It doesn't interest me who you are, how you came to be here.
I want to know if you will stand
In the center of the fire with me
And not shrink back.

It doesn't interest me where or what or with whom you have studied.
I want to know what sustains you
From the inside
When all else falls away.

I want to know if you can be alone
With yourself,
And if you truly like the company you keep
In the empty moments.

IN the long run fame finds the deserving man.
The lucky wight may prosper for a day,
But in good time true merit leads the van,
And vain pretense, unnoticed, goes its way.
There is no Chance, no Destiny, no Fate,
But Fortune smiles on those who work and wait,
In the long run.

In the long run all goodly sorrow pays,
There is no better thing than righteous pain,
The sleepless nights, the awful thorn-crowned days,
Bring sure reward to tortured soul and brain.
Unmeaning joys enervate in the end,
But sorrow yields a glorious dividend

In the long run. In the long run all hidden things are known,
The eye of truth will penetrate the night,
And good or ill, thy secret shall be known,
However well 't is guarded from the light.
All the unspoken motives of the breast
Are fathomed by the years and stand confest
In the long run.

In the long run all love is paid by love,
Though undervalued by the hosts of earth;
The great eternal Governemnt above
Keeps strict account and will redeem its worth.
Give thy love freely; do not count the cost;
So beautiful a thing was never lost
In the long run.

The path by which we twain did go,
Which led by tracts that pleased us well,
Thro' four sweet years arose and fell,
From flower to flower, from snow to snow.

And we with singing cheer'd the way,
And, crown'd with all the season lent,
From April on to April went,
And glad at heart from May to May.

But where the path we walk'd began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear'd of man;

Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull'd the murmur on thy lip,

And bore thee where I could not see
Nor follow, tho' I walk in haste,
And think, that somewhere in the waste
The Shadow sits and waits for me.

Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp'd no more--
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro' the drizzling rain
On the bald street breaks the blank day.